Source: Thomas Jefferson Hogg, Two Hundred and Nine Days; or, The Journal of a Traveller on the Continent (London: Hunt and Clarke, 1827), pp. 72-73
Text: [Saturday, 10 December 1825] I visited in the evening a theatre, named Teatro del Fondo; there was an opera and a ballet; the performance was good, the house commodious, and the price of admission moderate; but great was the smell of garlic. At a small theatre this was to be expected; for at the great theatre of S. Carlo, I had complained, that my place was too remote, and was brought much nearer the stage amongst a higher order of beings into a sort of fops-alley; but the fops smelt so strong of garlic, that it was difficult to live in the atmosphere of this more refined society. I had frequent examples of what I had heard before, that when the Italians are pleased with a performance, they hiss, to command silence and attention; the opera, and especially the ballet, were received this evening with much hissing, that is, they gave great satisfaction. At the end of the ballet, the audience called for the ballet-master; the curtain was drawn up immediately, and a melancholy man in a suit of black was led on the stage between Cupid and Psyche, in the midst of the smoke and flames with which the piece had concluded; to express, as I was told by a lady, who, perceiving that I was a stranger, kindly took much pains to make me understand the whole allegory, the glowing ardours of love; he was hailed with loud applauses, and retired bowing, with an air of modest confusion, that would have been becoming even to Psyche herself.
Comments: Thomas Jefferson Hogg (1792-1862) was an English lawyer and writer, a close friend of the poet Percy Bysshe Shelley. He went on a continental tour of Europe over 1825-26 and his published diaries record many visits to the theatre in different countries. The Teatro del Fondo in Naples was founded in 1779; it is now known as the Teatro Mercadante. The S. Carlo theatre is the Teatro di San Carlo, also in Naples.
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