Source: E. Beresford Chancellor (ed.), The Diary of Philipp von Neumann, vol. 1 (London: Philip Allan, 1928), p. 81
Production: Antoine de la Fosse, Manlius Capitolinus, Comédie-Française, Paris, 1 November 1821
Text: Went to see Talma in Manlius, one of his best parts, but of a kind I do not care for. One cannot but praise him in it, however. He shouts less than in other pieces. What suit him better than parts in which noble, generous and chivalrous sentiments must be exhibited are those of conspirators and the doers of dark deeds. Altogether Talma possesses one great undisputed merit, and that is the clear forcible way in which he speaks his lines; his declamation is pure, sharp and well punctuated, and consequently original. He is always master of the scene and, in short, his voice makes three-fourths of his success.
Comments: Baron Philipp von Neumann (1781-1851) was an Austrian diplomat, posted at the Austrian embassy in London during the 1810s and 1820s. His diaries provide a detailed account of the political and high society life of the time, and document his many visits to the theatre and opera. François-Joseph Talma (1762-1826) was the leading French actor of the period. One of his most celebrated roles was than of Manlius in Manlius Capitolinus, the 1698 Roman tragedy by Antoine de La Fosse.