Diary, sketches and reviews, during an European tour, in the year 1847

Source: Robert Dodge, Diary, sketches and reviews, during an European tour, in the year 1847. Printed for his friends (New York, 1850), p. 104

Production: Her Majesty’s Theatre, London, 3 July 1847

Text: 3rd. — Morning called on Mrs. R. Afternoon at home writing. Evening at Her Majesty’s Theatre to hear Jenny Lind. Of course, the house was crowded in every part. The Queen, Prince Waldemar, and great numbers of the nobility were there. Jenny performed Amina in Somnambula. She is handsomer than the pictures. Her tones are inexpressibly sweet; her action the finest I ever saw; so apparently natural, and con amore, and yet so lady like. “Ah non ginnge,” was encored 5 times, and in it she displayed wondrous power. Grisi and her power fade away in comparison; but the Company and the Orchestra are very ordinary. Gardoni, the tenor is all that is worthy of praise. Her whispered singing of “Oh! come lieto e il popolo,” and “al tempio ne fa scortea,” and of “Ardon le sacre tede,” and “0! Madre Mia m’aita,” and “non mi sostiene il pie,” and “al mio,” &c., was overpoweringly fine. In fact, none can resist being swept off into raptures, with her matchless performance. Carlotta Grisi danced La Esmeralda superbly.

Comments: Robert Dodge was an American whose diary of his European tour of 1847 was printed privately. This diary entry is from 3 July 1847, during his time in London. Jenny Lind, born Johanna Maria Lind (1820-1887) was a Swedish opera singer. Revered as the ‘Swedish Nightingale’, she was highly popular across Europe and America. She visited London for the first time in 1847. Carlotta Grisi (1819-1899) was an Italian ballet dancer.

Links: Copy at Hathi Trust

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