Source: Bayard Tuckerman (ed.), The Diary of Philip Hone, 1828-1851 (New York, Dodd, Mead, 1889), vol. 1, p. 62
Production: William Shakespeare, Hamlet, Park Theatre, New York, 17 September 1832
Text: Monday, Sept. 17. — Charles Kemble made his first appearance this evening at the Park Theatre, in the character of Hamlet, to a great house. He was well received, and listened to with great attention. There were not many ladies in the house, but the audience appeared to be critical and discriminating. It was precisely such acting as my recollection of Kemble and my opinion of his powers had led me to expect. The part was deeply studied and well understood; his reading is critically correct, his elocution distinct, and his manner dignified; but he is too formal, even for Hamlet. His pauses are too long and too frequent, so much so as to make the representation fatiguing; and for myself, I confess that, although my judgment is perfectly satisfied, his Hamlet falls far short of the power to interest me and give me pleasure of Kean’s or even Wallack’s, and he labours, moreover, under one great disadvantage, of which he has, unfortunately, no chance of amendment, — he is too old by thirty years for this part, and the expression of his face will do better for Lord Townly, Sir Edward Mortimer, King John, and other such parts. He is, on the whole, a fine actor, a good study for the younger men, and his visit to this country ought to improve the American stage. Fanny Kemble is to appear to-morrow evening in “Fazio.”
Comments: Philip Hone (1780-1851) was an American businessman and diarist, who was Mayor of New York 1825-1826. He saw Hamlet at the Park Theatre, New York, 17 September 1832. The British actor Charles Kemble visited America in 1832 and 1834, accompanied by his actress daughter Fanny Kemble.
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